Ethan Donnelly

Audio Post Production ⏐ Sound Designer

See Credits (IMDb)
See CV (PDF)

Featured Work.

  • New Showreel Entry - Untitled John Wick Game

    Ambience (7.1.4) and SFX editorial to highlight narrative restraint and impact. 05/26

    (Unofficial work - for portfolio purpose only)

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  • New Showreel Entry - Forza Horizon 6

    Ambience (7.1.4) and SFX editorial to a car showcase trailer for an established title. 03/26

    (Unofficial work - for portfolio purpose only)

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  • New Showreel Entry - Metal Eden

    Score and sounddesign to gameplay trailer of a recently released indie title. 10/25

    (Unofficial work - for portfolio purpose only)

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  • New Single - Learn to Let It Be (feat. Amy Cochrane)

    An electronic dance track produced, mixed, and mastered by myself. 09/25

    (📸 by: rsdvisuals.com)

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  • New Showreel Entry - 2Die (Student Game Project)

    Score and sound design to gameplay footage of a retro, 2D shooter. 04/25

    (Official work - game set to release)

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  • BBC Introducing - Cherryholt (Live at Metronome)

    Personally recorded, mixed, and mastered the live performance of a rising indie band. 03/25

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  • Dear Evan Hansen (2024 - 2025 UK Tour)

    Recorded “You Will Be Found” supporting vocals for live performance. 08/24

    (Worked with Director Adam Penford, MD Michael Bradley & Musical Supervisor Matt Spencer-Smith).

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  • BBC Concert Orchestra (Student Project)

    Recorded, mixed and mastered the BBC Concert Orchestra within a production team. 03/24

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A young man in a recording studio with audio equipment, multiple monitors, and a speaker with purple lighting in the background.

About.

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Sound Designer / Assistant Sound Editor with professional experience in feature film and documentary post-production.

Currently freelancing for Sugar Studios LA, contributing: sound editorial, 7.1.4 ambience builds, and sound design across 12 feature films and one documentary, with production budgets ranging from $5–20M.

Experienced in Pro Tools-based post-production workflows, including production audio cleanup, editorial organisation, 7.1.4 ambience design, Foley, FX editing, and original sound design for action and narrative sequences.

Additional experience includes live recording, mixing, and mastering for BBC Introducing and The BBC Concert Orchestra. Based in Surrey, UK, and available for UK-based, remote, and hybrid post-production work.

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See Credits (IMDb)

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